The first three images are abstract expressionist paintings. They are not supposed to be representational but the brushstrokes and paint splatters allow the paint to just be seen as paint. To a modernist this use of paint would be trying to capture the essence of the paint. The next three images are also abstract but they would be most interesting to a postmodernist viewer because of it's use of color theory. Postmodern artist are interested in topics related to diversity and race. In these images the appearance of the skin color changes based on what it is surrounded by just as the ideas about race and skin color change based on different surroundings and context. Addressing topics such as these are what postmodernists are really interested in.
Three questions for my students are:
What strategies were used in the first three paintings to allow the paint to speak for itself?
What could the last three paintings be saying about race and skin color?
How would the meaning of the last three paintings change if they were made by a different person?